paulfromcamden
Baffled
Yeah Prestige on the 40 odd other legit reissues too. Hence my surprise.
Complete aside.. does anyone know why this 1987 OJC reissue of Workin was released on Riverside?
https://www.discogs.com/release/16405335-The-Miles-Davis-Quintet-Workin-With-The-Miles-Davis-Quintet
Complete aside.. does anyone know why this 1987 OJC reissue of Workin was released on Riverside?
https://www.discogs.com/release/16405335-The-Miles-Davis-Quintet-Workin-With-The-Miles-Davis-Quintet
Both are on Juno today at £39.99.The Miles (only) is on Juno today
No way at those prices.
Out of interest, in terms of raw economics, can anyone explain why TPs cost 40% more than BN classics? I can see there are greater costs in the sleeves and inners but where does the rest come from? The recent reissue of Nina Simone's Little Girl Blue was remastered by Kevin Gray and had a tip on sleeve yet was just over £20.
Out of interest, in terms of raw economics, can anyone explain why TPs cost 40% more than BN classics? I can see there are greater costs in the sleeves and inners but where does the rest come from? The recent reissue of Nina Simone's Little Girl Blue was remastered by Kevin Gray and had a tip on sleeve yet was just over £20.
The price and my lack of space for any more records is a downside though.
I'll give you a lift for a share.Jim, I'm willing to help. Just pile up the Blue Notes you don't have space for and I'll take them off your hands for £3 a pop. Cash. No questions asked. I'll even catch the bus round to you and collect.
Paul, Mmm sounds like a good deal for someone, but am still working out who?Jim, I'm willing to help. Just pile up the Blue Notes you don't have space for and I'll take them off your hands for £3 a pop. Cash. No questions asked. I'll even catch the bus round to you and collect.
My limit for a single LP has been £40 for a long time, but I have only very rarely had to go over £35.Same here. Record companies seem to think inflation is running at 15% - 20%
I have a strict(ish) limit of £35 for a single LP which I'm trying to stick to.
Out of interest, in terms of raw economics, can anyone explain why TPs cost 40% more than BN classics? I can see there are greater costs in the sleeves and inners but where does the rest come from? The recent reissue of Nina Simone's Little Girl Blue was remastered by Kevin Gray and had a tip on sleeve yet was just over £20.
Is it to do with economies of scale for smaller runs or is the TP process ( and the OJC process) that much more expensive?
I agree with Gavin’s analysis and additionally while Kevin Gray mastered the 2021 ‘Little Girl Blue’ it is not clear o me that he mastered AAA and that the the European pressings were probably from a high res digital transfer at a European plant. Probably Optimal. Look at the present price of a pre order ‘1,000’ limited pressing copy on Amazon now that is probably copyright avoidance as it has a different cover.RTI will be more expensive than Optimal (not that it's any better), as well as to ship from the US. I guess that high inflation on fuel prices and wage growth is common-ish to both. They are both imports, so there's duty and vat on the duty and shipping. I don't know how that compares but it all adds up. Tone Poets are $11 more in the US than Classics. Personally I'd rather have the Optimal pressings in a relatively plain sleeve.
I agree with Gavin’s analysis and additionally while Kevin Gray mastered the 2021 ‘Little Girl Blue’ it is not clear o me that he mastered AAA and that the the European pressings were probably from a high res digital transfer at a European plant. Probably Optimal.
Look at the present price of a pre order ‘1,000’ limited pressing copy on Amazon now that is probably copyright avoidance as it has a different cover.
https://www.amazon.co.uk/dp/B0BT54WKVL/?tag=pinkfishmedia-21
That’s a pirate for sure. Absolutely nothing to do with the previous Kevin Gray/Bethlehem issue.
Both mastered by ...Kevin Grey of course (has he kidnapped all the other mastering engineers?!) pressed at RTI etc.
A couple of interesting reissues from Jazz Dispensary - David Axelrod’s - Heavy Axe and Bernard Purdie - Purdie Good!