Pictures of the workshop?
@igor_xxxx will chuckle when he sees this.
My biggest peeve is not keeping photos of the old shed (hesitate to call that a workshop). It was dusty, damp and had excruciatingly low ceilings. Would have been fun to reminisce. But most of the machinery used on dŵr is still being used primarily, although in a nicer, proper workshop space.
That said, the majority of parts turned on that same lathe (a proper Russian beast of a lathe, at that). This includes all aluminium parts, all bronze parts, all mild steel and POM parts, including custom screws and fasteners. Some aluminium work was farmed out to a waterjet shop, but only the rough work, as finishing work was still done on that same lathe. Wood work (frames for both the turntable and the PSU) was farmed out to one of the largest furniture makers locally, as they had the properly precise wood carving CNC.
Finishing-wise... sandblasting in the workshop (bought and refurbished a proper sandblaster which has more than paid for itself with shop work), anodizing out to a local contractor, nickel-plating to another contractor, and wood finishing was originally done by a close luthier friend of mine. Having done the armboards myself now I understand how much work that must have been for him.
With all that - I now see that having a one-stop shop to do this kind of work would be incredibly, incredibly expensive, and am grateful that there are local servicing companies to outsource some of the work (just the anodizing setup required is huge). And thus I now understand why many, many turntable manufacturers are actually part designers, and have OEMs to deliver their final product.