I started in the silly game of trying to create a living room full of music and the orchestra when I was about 12yrs old.
But only got started to produced kit when I was about 20yrs old (1973). My first design to hit the market was a tuner for my friend Mike Bankski , the day I was collecting components from the now de-funked Maplin's in Southend-on-Mud. I needed a loo badly and the public loo like now was vandalized and closed.
There was a gentleman cleaning his shop front I ask if there was another loo near by, he kindly allowed me to use his. His shop sold Hi-fi so I stayed and listened to Diesis Speakers which I bought the gentleman was Mr. Brian O'Rourke. We became friends and as you are aware he started Ruark Acoustic. Sadly Brian as now passed on.
The amps I was designing were called "Blackbird" based loosely on the Hitachi cockup design, my dear friend Alan Elsdon had just bought a turntable from Mr. Tom Fletcher a Dais design made near Nottingham. So he took me to see Tom I bought the turntable but Tom loved my range of power amps, ranging from 100W/ch to 1000W/ch. I had a great time visiting Tom and his family.
1977 got married moved to Canvey Island, met my music loving neighbour Andy Williams (not the singer) he (sadly) introduced me to Anthony Relph (not a gent) he helped to start Rega (Roy is a Gent). A.C.Magnum Ltd was formed and our first project were RroAC Magnum amps, with a lovely man I knew as Paul Tyler of ProAC now gone sadly a good mentor.
Magnum moved on and stood on it own two feet it was review and by another friend Malcolm Stewart. Relph forced me out by changing locks just like another jerk did, so away from Magnum and fighting in court (expensive) and waiting to put new idea on the market.
Inca Tech was born from Gold Plated Power connection and the name was not mu idea but Chris Frankland and Malcolm Stewart from "Flat Response" I wanted to call them "Goldunmains" not so catchy a.
Soon a range of amps like the "Prelude", "Claymore", "Claymore S", "Claymore 2","Sabre", IT1X, IT50,IT100 and a FMT tuner came to the market. The Claymore was first and was design for the USA and Roy Hall he came up with the name Claymore. Two Fluorescent Orange ones were made but got stolen at New York Air Port. So I sent them to the "Flat Response" first a Claymore, now this magazine was very heavy into Linn and Naim so the chances of getting a good review was not good. But we did and for many other product I did. I wish Malcolm was still with us and a fair reviewer and a good mate, blunt and honest.
So back to fun loving departed audio contributors .
RIP all of them I miss you.
Brian O'Rouke,
Tom Fletcher ,
Malcom Stewart,
Paul Tyler,
Clive Sinclair,
Max Townshend,
Can you think of any that have contributed and you miss with a story please.
But only got started to produced kit when I was about 20yrs old (1973). My first design to hit the market was a tuner for my friend Mike Bankski , the day I was collecting components from the now de-funked Maplin's in Southend-on-Mud. I needed a loo badly and the public loo like now was vandalized and closed.
There was a gentleman cleaning his shop front I ask if there was another loo near by, he kindly allowed me to use his. His shop sold Hi-fi so I stayed and listened to Diesis Speakers which I bought the gentleman was Mr. Brian O'Rourke. We became friends and as you are aware he started Ruark Acoustic. Sadly Brian as now passed on.
The amps I was designing were called "Blackbird" based loosely on the Hitachi cockup design, my dear friend Alan Elsdon had just bought a turntable from Mr. Tom Fletcher a Dais design made near Nottingham. So he took me to see Tom I bought the turntable but Tom loved my range of power amps, ranging from 100W/ch to 1000W/ch. I had a great time visiting Tom and his family.
1977 got married moved to Canvey Island, met my music loving neighbour Andy Williams (not the singer) he (sadly) introduced me to Anthony Relph (not a gent) he helped to start Rega (Roy is a Gent). A.C.Magnum Ltd was formed and our first project were RroAC Magnum amps, with a lovely man I knew as Paul Tyler of ProAC now gone sadly a good mentor.
Magnum moved on and stood on it own two feet it was review and by another friend Malcolm Stewart. Relph forced me out by changing locks just like another jerk did, so away from Magnum and fighting in court (expensive) and waiting to put new idea on the market.
Inca Tech was born from Gold Plated Power connection and the name was not mu idea but Chris Frankland and Malcolm Stewart from "Flat Response" I wanted to call them "Goldunmains" not so catchy a.
Soon a range of amps like the "Prelude", "Claymore", "Claymore S", "Claymore 2","Sabre", IT1X, IT50,IT100 and a FMT tuner came to the market. The Claymore was first and was design for the USA and Roy Hall he came up with the name Claymore. Two Fluorescent Orange ones were made but got stolen at New York Air Port. So I sent them to the "Flat Response" first a Claymore, now this magazine was very heavy into Linn and Naim so the chances of getting a good review was not good. But we did and for many other product I did. I wish Malcolm was still with us and a fair reviewer and a good mate, blunt and honest.
So back to fun loving departed audio contributors .
RIP all of them I miss you.
Brian O'Rouke,
Tom Fletcher ,
Malcom Stewart,
Paul Tyler,
Clive Sinclair,
Max Townshend,
Can you think of any that have contributed and you miss with a story please.