No, it was done by Marianne Kweksilber - a rather mercurial performance (sorry). It's not one of my favorites from the set and I usually play the JEG recording with Emma Kirkby on Philips (paired with the Mag in D). I heard her do it live in Muehlhausen in Bach's Divi Blasius Kirche; they had to have another go at the Alleluja as the trumpet fluffed.
I think 51 and 199 (Barbara Bonney) are the only two cantatas where they didn't use boys.
I've just had a relisten to the Teldec recording. Kweksilber has a very light, bright voice, rather boy-like, which I suppose suits the rest of the series, but to my ear, even though it's not "inaccurate" it somehow doesn't quite seem in control. The recording date is 76 (p), so she would have been in her early 30s. The fiendish Alleluja is the best bit and the trumpet's good, too. Overall, better than I remembered.