Graham H
pfm Member
Looking forward to finally picking up a decent/affordable Idle Moments this June.
Me too - my 75th is a bit....er.......idle.
Looking forward to finally picking up a decent/affordable Idle Moments this June.
I can't really see any of these being repressed soon as all record plants are running well behind and do not seem to be keeping up even when the schedules have been updated. Optimal that press these is in Germany and that is now experiencing a 3rd Covid resurgence and imposing new lockdown measures so that may make matters worst. Large companies like Universal that have big contracts with pressing plants are usually allowed to alter their own order of pressing, but I doubt the sales of these BN Classics will cause them to rise in priority.I'd welcome a re-press schedule. I didn't realise unless you pre-order you've almost zero chance of picking these up at anything other than inflated prices. I'm kicking myself for not pre ordering Something Else and The Real McCoy. I won't make that mistake again!
I'd welcome a re-press schedule. I didn't realise unless you pre-order you've almost zero chance of picking these up at anything other than inflated prices. I'm kicking myself for not pre ordering Something Else and The Real McCoy. I won't make that mistake again!
I've only managed to get hold of Somethin Else and the Joe Henderson, but they're both excellent, no issues.I can't really see any of these being repressed soon as all record plants are running well behind and do not seem to be keeping up even when the schedules have been updated. Optimal that press these is in Germany and that is now experiencing a 3rd Covid resurgence and imposing new lockdown measures so that may make matters worst. Large companies like Universal that have big contracts with pressing plants are usually allowed to alter their own order of pressing, but I doubt the sales of these BN Classics will cause them to rise in priority.
I'm lucky enough to have pretty good pressings of all of them, but I might be tempted to try one to compare. It also seems from reports there are quite a few QC problems with many of these in comparison to the BN80's, most of which I did buy and had zero problems apart from the static stuck inner sleeves. So perhaps it's not worth rushing to get them yet? And certainly not worth paying a premium for them.
I had the CD for sometime and it excellent both musically and in sound quality so that is one I did pass on, but perhaps I should reconsider if you think it is a real step up? I think it can be found new for about £16 now as well.I finally picked up a copy of Konitz et al’s Alone From the 80 series. It’s a very fine recording, one of the best jazz club recordings I’ve heard. The presence of the instruments is superb and the group interplay fascinating, especially Mehldau’s responses to Konitz’s lines. The sound of the remaster is a real step up from the already very good cd copy I’d already got.
I had the CD for sometime and it excellent both musically and in sound quality so that is one I did pass on, but perhaps I should reconsider if you think it is a real step up? I think it can be found new for about £16 now as well.
Got to say that I've had no QC issues with the Classics that I've bought but maybe I've been lucky. I'm also lucky in that I've got a great local Indie store who have a really good relationship with Universal so no problems getting the records day of release without having to worry about damage in the post.It also seems from reports there are quite a few QC problems with many of these in comparison to the BN80's, most of which I did buy and had zero problems apart from the static stuck inner sleeves. So perhaps it's not worth rushing to get them yet? And certainly not worth paying a premium for them.
As I said I have not bought any of these and I did not have any problems with the BN80's. There quite a few complaints on the SH forum about warps, non fill and dirt. Sidewinder and Something Else seem to have most complaints including multiple returns. Perhaps Europe got the got the best of the first runs? I do seem to hear more complaints in general about warps in the USA from records not pressed there, perhaps due to bigger temperature variations and shipping times?Got to say that I've had no QC issues with the Classics that I've bought but maybe I've been lucky. I'm also lucky in that I've got a great local Indie store who have a really good relationship with Universal so no problems getting the records day of release without having to worry about damage in the post.
That may be non fill? If you hold the record at an angel to a strong light you may possibly see what is know as 'a string of pearls' a line of small white dots.My copy of the real McCoy has what sounds like a scratch on side 2, track 2. No scratch visible though... It took 4 to 5 weeks for Blue Note to answer my request for a replacement, when I finally got a reply they had no more copies in stock. They did let me keep the offending item and refunded me but i'll probably return to Amazon for my future purchases.
It seems London Jazz Collector did not have any problems with is copy of Somethin' Else. He certainly seems to be 'mellowing' for late. In the past nothing, but originals or very early pressings were good enough. Then he conceded that the Tone Poets were excellent and now he has added Blue Note Classics and the previous BN80's to that list. Seems he now can't get enough of what Kevin Gray does as some of us have already found out.
"Piggy-back 2: CD, it’s the pits." sounds to me even on an I-Pad that it is his original that is full of pits.And the Evil Silver Disc in his most recent Chick Corea post - which to my ears - once his samples have been level adjusted - trounces his worn out first press vinyl in every respect.
"Piggy-back 2: CD, it’s the pits." sounds to me even on an I-Pad that it is his original that is full of pits.
Graham, Yes I did get that and I think that he meant it both ways perhaps as a tease, as did I with regard to some of the surface noise. I think he still regards them as the "evil Disk", but as I had mentioned in the Tone Poet post he perhaps seems to have been priced out now on buying many original pressings at the current rates especially on Blue Note. Even Music Matters reissues (although he never seemed to like them much in the past) both from their site or particularly where sold out seem very high priced now. The Tone Poets and BN Classics don't seem to have effected this market much.He goes on to explain by ‘pits’ he meant pits as in representing binary digital code. I think he’s teasing us and realises the remixed CD actually has a lot going for it - centralised piano image, a bass line that is subtle and nuanced and true HF extension.
The groove wear in the left hand channel on the first press vinyl accompanying the piano on Tones for Joan’s Bones sounds to me more like Joan burning at the stake.
We digress - back to BN Classics.......