All posted (the lady behind the counter at the post office was less than impressed when I turned up with a box stuffed with dozens of padded envelopes at lunchtime!)... you UK bodgers should have them tomorrow.
For people in the US/Canada and other exotic places, I had to fill out a customs declaration for each package with a value attached to each one. I put down £30 for each one, as I didn't know off the top of my head what was in each package (there were a lot). I trust this won't cause any problems.
Slawney, I'll try and answer this one, but I'm a bit crap at describing subjective things like sound improvements... it all really boils down to a refinement of detail. Tiny levels of distortion are stripped away, leaving just the music without the garbage. I especially like the way cymbals sound with the flea. Then there's the sheer openness of the music (sorry, don't know the correct terminology) which gives the impression of the performance being bigger, yet more intimate as you can really get to grips with what each performer is doing (of course, it will depend on the music, artists, production etc). All very fluffy-bunny stuff
For me, I know it's working wonders because I still get a big grin every time I turn it up - and that's a sure-fire way of knowing that it's a great upgrade. I really hope you all like it
There shouldn't be any problems with the kits, but if you have any parts missing etc, just let me know and I'll sort it out straight away. One thing you will notice is that there are two extra resistors in each kit: a 33R and a 100R. I couldn't be bothered with the hassle of identifying each one and replacing them with the correct SMD parts, so I just added the SMDs to the kits... the resistors are only a couple of pence each when bought in this kind of quantity, and it saved me loads of hassle to just leave 'em in.
Anyway, I should go do some work...
Cheers,
Carl