Finally, Ferras 'n' Fluffy. The differences in this version are pretty clear. First, there's Karajan and the superior Berlin Philharmonic. Of course, there's the Karajan sound, a string-heavy, legato-sodden wall of sound, but it's an exquisitely beautiful sound, and smooth, smooth, smooth. Second, there's superior sound, though hardly SOTA today. Third, there's better execution by Ferras, quite possibly aided by extra takes and splices and Karajan's likely insistence on something closer to perfect. Ferras' overall conception isn't greatly different. In the Allegro, it and the whole movement is slightly broader, but his playing is even more flowing, and endless stream of beautiful sound washing over the listener, and the sound is more pure, especially up high. The Larghetto is slower, more beautiful, more elevated. It's all that. Truly. (It helps that even with this now aged recording, the DG engineers captured Karajan's BPO with hints of that string sheen that one only ever hears in concert.) As the movement progresses, Ferras plays in the most rarified manner. The Rondo is again stately, and Karajan adds a nice bit of perfectly executed heft. It's an elevated end to a timeless recording. As I listened, it became clear that Vadim Repin and Patricia Kopatchinskaja came close to surpassing Ferras, but ultimately they join him, establishing a VC triumvirate.
As a bonus, I decided to listen to Ferras 'n' Fluffy in analog, as in a twelve bit LP. Yes, LP has many limitations - noise, limited dynamic range, noise, distortion, noise - but it also almost invariably sounds warmer, thanks to that distortion. And so it proves here. The Berlin strings sound more billowy and glowing, but the real draw here is what Ferras sounds like on vinyl. He sounds like an angel, whether in the slow and beautiful entrance, or in the ethereal, stupid-beautiful trills, or the too good to be true Larghetto, where the massed violins display more of that concert house sheen than in the digital transfer. Basically, while more sonically constricted overall, it offers a gentler, richer, more laid back sound and feel. While certain aspects of the performance suffer, the key components gain, and one just can't get enough of Ferras. This simply reinforces the unquestionable greatness of the recording.