Gaius
pfm Member
After reading YNWOAN’s write up and very helpful guide to fitting Les’s new TPR4 reg I called Les on Friday and I will say he is such a delight to speak with.
The TPR4 has been on my radar for a while, anyway Les popped it in the post and it arrived today.
Ewen 1970 was due over for a catch up and we put the afternoon aside to have a play with the new toy.
Very easy to fit but I thank Ewen for his soldering skills which have become quite accomplished.
We took a mark of how my system was sounding as is and used tracks form Agnes Obel and Tom Waits.
The TPR4 was destined for the HiCap which is currently driving a NAC 62 (olive), this pre is a sweet one and displaced my last 72.
The difference was quite clear straight away, the sound of a striking match on the Waits album caught our attention and there was an alright then moment!
I Never Talk to Strangers was the Waits track; a duet with Bette Midler, crisp and clean, better separation between the notes and a bigger sound over all. With the Agnes Obel her voice had such presence, it IS how she records her music but this rendition showed much more nuance.
Tonight then; I think it’s getting even better. Allison Kraus & Union Station, New favorite, details in the way a chord is played, a more complete sound and as I judge everything on, the vocal, and the emotion is very well portrayed.
Timing is superb, I have AC/DC’s Black Ice playing, tight as you like.
In summary, a great little upgrade that makes a lot of sense. It’s very clean; it makes the pre better but does not change the signature, which for me is very important.
Hats off to Les for a fantastic product.
Mark
PS: Krall's Girl in the Other Room is sounding stunning!
System was:
Naim NAC 62/ Hi TPR4/Naim CDi/Witch Hat Audio Moonlight Monos/ SBLs
The TPR4 has been on my radar for a while, anyway Les popped it in the post and it arrived today.
Ewen 1970 was due over for a catch up and we put the afternoon aside to have a play with the new toy.
Very easy to fit but I thank Ewen for his soldering skills which have become quite accomplished.
We took a mark of how my system was sounding as is and used tracks form Agnes Obel and Tom Waits.
The TPR4 was destined for the HiCap which is currently driving a NAC 62 (olive), this pre is a sweet one and displaced my last 72.
The difference was quite clear straight away, the sound of a striking match on the Waits album caught our attention and there was an alright then moment!
I Never Talk to Strangers was the Waits track; a duet with Bette Midler, crisp and clean, better separation between the notes and a bigger sound over all. With the Agnes Obel her voice had such presence, it IS how she records her music but this rendition showed much more nuance.
Tonight then; I think it’s getting even better. Allison Kraus & Union Station, New favorite, details in the way a chord is played, a more complete sound and as I judge everything on, the vocal, and the emotion is very well portrayed.
Timing is superb, I have AC/DC’s Black Ice playing, tight as you like.
In summary, a great little upgrade that makes a lot of sense. It’s very clean; it makes the pre better but does not change the signature, which for me is very important.
Hats off to Les for a fantastic product.
Mark
PS: Krall's Girl in the Other Room is sounding stunning!
System was:
Naim NAC 62/ Hi TPR4/Naim CDi/Witch Hat Audio Moonlight Monos/ SBLs