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Anti Vibration Devices

Agree for the most part

decoupling speakers is the start. The best methods are elaborate springs system.
Sorbothane is almost as effective when properly loaded but cost next to nothing.
But really, coupling or decoupling, it doesnt matter when you get real big ass speakers. ill eventually get sorbothane for my big speakers that weight 200lbs, but i doubt ill here much of a difference.
You can decouple speakers with a suspended spring system. Or you can achieve the same thing with a folded towel, or a few layers of carpet, or a bike inner tube. All perfectly measurable as effective. One costs thousands, the other pennies. You choose.
 
I have no idea what they used at which points, but have noticed Abbey Road turning up in 2 threads as an example of extreme care and unusual-looking and/ or bulky kit.

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They used this stuff in the early ‘70s! You can see some cables running from the Quad 50E (or may be a 303) on the floor to the Tannoy Lancasters. Proper kit, good enough to record Dark Side Of The Moon!

PS The flip-clock is the important bit. I so need one of those.
 
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They used this stuff in the early ‘70s! You can see some cables running from the Quad 50E (or may be a 303) on the floor to the Tannoy Lancasters. Proper kit, good enough to record Dark Side Of The Moon!

PS The flip-clock is the important bit. I so need one of those.

Now that really is a desk!

Not having 8 other speakers in the room, only 1 ashtray and no coffee stains on the desk already makes that look pretty purist, no?
 
Mildly off topic but indulge me, or ignore me, all good!

I once went for a job interview, the company specialised in seismology instrumentation, sat in their offices near Aldermaston they could see the frequency of the waves lapping on the shore of the UK and earthquakes round the globe ... vibration is an interesting subject, I didn't accept their offer but did go on to work for two more UK manufacturers of vibration monitoring equipment. One of the tools of the trade is an FFT, however you soon learn that while big spectral spikes can tell you a lot, there are other, better ways, of digging out smaller signals from noise. For example ways to find harmonics hidden in the "grass". Stuff you can't see but is there in the data. The audio sweeps REW does are great for comparing roughly in room responses and identifying low frequency modes, but the idea they will tell you definitively if there is any audible change is complete and utter hogwash. It is reasonably hard to get repeatable results from such things, while changing nothing. I don't want to do down REW, it is a great, free, tool. It has its uses. More than I know of I don't doubt. But a spectrum is not the be all and end all of signal analysis, whether vibration (which is broadly the same band) or audio.
 
A FR in room just tell you about the accurate FR, including reflections, decay and room modes. A gated FR is better at removing the latter. But ultimately you listen in room, and a simple FR doesn't highlight the difference between a boomy port and a combination of room modes, whereas audibly they're very different things.

No one measurement gives the full picture
 
I think it’s more what you do with unwanted vibrations so as to have the least affect on the performance of the equipment. Tannoy DMT loudspeakers and the Linn Sondek LP12 come to mind as products addressing those issues.
 
I will never put my LP12 on anything involving an inner tube made by someone as non-DIY as me- it may be for the brave.
I meant the springs, but I tried the inner tube version under electronics and TT; didn't seem to work very well, but I still use them under speakers in the loft system. Stops the neighbours complaining.
 
Inner tubes for none suspended decks, lp12 doesn't need another spring under it, that'd just upset the apple cart.
 
Does the logic dictate that these isolation devices effectiveness is level/ amplitude dependant? The little wife friendly boxes that are too popular these days are limited in the energy they can transmit into a room let alone into a suspended floor, drivers with BLs under 10 and most lucky to hit only half of that are really puny impulse devices from the get go so it occurred to me the benefits of these isolation devices will only become apparent at higher sound levels ie higher impulse levels (rather like the difference between hitting a table by dropping a toffee hammer then compare that with a lump hammer.)..so conversely did your non-isolated speakers sound progressively more confused/worse as you increase the volume?
 
Does the logic dictate that these isolation devices effectiveness is level/ amplitude dependant? The little wife friendly boxes that are too popular these days are limited in the energy they can transmit into a room let alone into a suspended floor, drivers with BLs under 10 and most lucky to hit only half of that are really puny impulse devices from the get go so it occurred to me the benefits of these isolation devices will only become apparent at higher sound levels ie higher impulse levels (rather like the difference between hitting a table by dropping a toffee hammer then compare that with a lump hammer.)..so conversely did your non-isolated speakers sound progressively more confused/worse as you increase the volume?

Almost everything here is volume-dependent, isn’t it?
 
Ah so a frequency response can show a speaker's capability (or more often, incapacity) to reproduce a square wave? Because they're all related all you need is one view to tell you everything you need to know, right?

Combined frequency & phase response - then yes (to assessing ability to approximate to a square-wave, which as we all know if usually not very good), at least providing you confine this to modest cone excursion. In a linear system, all you need to know about the time-domain is captured in the freq (+ phase) domain (which I think is what Keith is getting at). I'm not trying to say that you can predict exactly how a speaker will sound from this though.

Speakers are complicated beasts though, unlike an amplifier (where the output voltage is a single time-varying parameter) with a loudspeaker you have to worry about response variation with direction as well.
 


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