Mastering > format. Every single time.
Mastering > format. Every single time.
I also have a few albums on both CD and LP and similar to you find that the characteristics are spookily similar.I have ( classical LPs ) and cds of the same work and on my system they sound the same down even to sound faults.
Mastering > format. Every single time.
On our LP only system, the gap between the best and worst sounding records is quite significant (from: "Wow!" to: "Meh..."). I would therefore fully expect other formats to "dovetail" into the hierarchy.
Have tried recording from qobuz in hi res onto your reel to reel and then comparing it to the qobuz version? 'assuming you do qobuz hi res of course'Absolutely. It is always about mastering and all aspects of quality control. There are some truly horrible sounding records out there (‘80s budget reissues on recycled vinyl cut from x-generation tapes, foreign copies from who knows what master etc), just as there are CDs that are all but unlistenable (compressed to the point dynamic range is little more than a binary on/off, bass boosted, clipped etc). I’ve long argued I could tip a vinyl vs. CD whichever way I wanted to. To the point I could get a Dual 505 to beat a full dCS stack, a Discman to beat Fremer’s house-priced turntable or whatever. All you need is a really great CD and a crap record, or vice versa. This really is a ‘source first’ argument. If the mastering of a specific CD or record is bad it can not ever be fixed later in the replay chain. You can’t put dynamic range etc back.
There are also titles where vinyl is at a huge disadvantage to start with, e.g. anything with a playing time much beyond 20 minutes a side (around 18 is optimal IIRC, beyond that you lose around a db of cut level per extra minute). This is why classic jazz albums, which tend to play for 15 minutes a side, can sound so spectacularly real and dynamic where some classical symphonies and opera movements really suffer, especially if they have a large build-up towards the end.
I will argue all day long that any serious music lover needs multiple formats. You need to go where both the best music and the best master is, not force it to your choice of format. I can play 78s, all speeds of vinyl (even 16rpm, though I’ve never seen a record), CD, SACD, DVD-A, BluRay, most computer formats, cassette, open reel (only 7” at 7.5ips max) etc. Basically I’m missing 8-track, DCC, MiniDisc and DAT, I can play pretty much anything else!
The CD format is technically superior but not necessarily aurally superior based on the recording/mastering but also the quality of the playback chain.
Best of all - in 2022 most audiophiles can afford to buy a turntable, a CD player, and computer-based audio. Then it doesn't matter which is better - just play music.
Have tried recording from qobuz in hi res onto your reel to reel and then comparing it to the qobuz version? 'assuming you do qobuz hi res of course'
Cool.my mate bought a original teac machine and it sounds just great..reason I asked about taping from hi res source..he taped from qobuz hi res , Sgt peppers and Abbey Road.. apart from the instantly noticeable more musicality ( toe tapping, and better ability to follow melody line esp bass..such musical bass! Fantastic on reel to reel ) but the other thing which is most strange is you hear more! On comparison to qobuz version it's quite apparent? My partner who is very good on classical guitar but has no interest in my hifi noticed this..I tried it on cassette tape and it was also noticeable on smaller scale! Not sure if anyone else has tried this? And noticed what me and my mate noticed?My open reel deck is a lovely old Akai 4000DB I won at the local auction for £30! It is fully working, but unrestored beyond my replacing the drive belts and pinch-roller (which had a dent in it as someone had obviously left it in ‘play’ for a long while). It hasn’t been recapped, all transistors are original etc. As such it does sound like a tape deck. It actually sounds superb IMO, not totally transparent, it adds a bit of bass kick, heft and just a little tape hiss. I mastered some stuff I’d done in Logic onto it and actually prefer the sound as it adds something ‘organic’ that I like. I view it as a very subtle FX unit/creative tool. This is the key reason I’ve not gone any further with restoration. There are no bulging or leaking caps to be seen in there so I’ll leave it be as I like it. FWIW it is vastly better sonically than my Sony WM-D6C Walkman Pro, though one would expect that given I record at 7.5ips and it is quiet enough not to need noise reduction (it does have Dolby should I want it).
I don’t have Qobuz or any other streaming subscription (I use Youtube to explore and buy what I like on vinyl or CD).
Coincidentally I compared my copies of Joni's Court & Spark - thinking do I really need both, it's not my favourite. LP is a UK original from 1974, nicely pressed; CD is the US HDCD copy (generally not available in the UK) from early 2000s. LP had more nuanced vocals but sounded lumpier lower down and the backing wasn't as clearly layered; CD had more 'superficial' vocals but the whole picture was a lot clearer and the bass end much firmer. So yes, different and uncomparable, really. Only tangible difference was the fabulous artwork of the LP vs the almost invisible CD cover.Just the other day I compared my 2 LP's (original 70's, one US one European, both cut at The Mastering Lab) of Joan Armatrading's Show Some Emotions with a very early CD (bought in 1986). I was very careful with level matching. Difference? The Lp's sounding a bit fuller in the bass, not much else. The difference could be in the mastering or replay (LP12's infamous bass honk?), but hardly from one system of storing music is superior to the other.
My open reel deck is a lovely old Akai 4000DB I won at the local auction for £30! It is fully working, but unrestored beyond my replacing the drive belts and pinch-roller (which had a dent in it as someone had obviously left it in ‘play’ for a long while). It hasn’t been recapped, all transistors are original etc. As such it does sound like a tape deck. It actually sounds superb IMO, not totally transparent, it adds a bit of bass kick, heft and just a little tape hiss. I mastered some stuff I’d done in Logic onto it and actually prefer the sound as it adds something ‘organic’ that I like. I view it as a very subtle FX unit/creative tool. This is the key reason I’ve not gone any further with restoration. There are no bulging or leaking caps to be seen in there so I’ll leave it be as I like it. FWIW it is vastly better sonically than my Sony WM-D6C Walkman Pro, though one would expect that given I record at 7.5ips and it is quiet enough not to need noise reduction (it does have Dolby should I want it).
I don’t have Qobuz or any other streaming subscription (I use Youtube to explore and buy what I like on vinyl or CD).
I would add recording in front of mastering.