david ellwood
Kirabosi Kognoscente
I’m pretty sure a melco N1zh S100 Linn klimax DS outperforms any CD player so ultimately streaming wins albeit at a fairly hefty cost.
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CD is mature technology and works, but suffers from a ceiling in performance and limitations in bit rate and depth.
CD is mature technology and works, but suffers from a ceiling in performance and limitations in bit rate and depth.
I don't know.
When though? Every time!
I share that feeling. Particularly unamplified acoustic instruments do not sound analog enough.Strangely I know someone who never goes to see live music as they don’t like how it sounds!
There is a ceiling indeed, but cd does not suffer from it.CD is mature technology and works, but suffers from a ceiling in performance and limitations in bit rate and depth.
I recognize concert halls like that. But I wouldn't stop going to concerts when I can.I share that feeling. Particularly unamplified acoustic instruments do not sound analog enough.
I once tried this at the opera, watching Die Meistersinger. I closed my eyes and imagined I am listening to my hifi. Alas, the sound was very shouty and edgy. Bass was muddy and indistinct. No soundstage to speak of, no silky smooth treble, inky blacks or prat.
Is it the 22kHz max frequency or the 96dB dynamic range that you find more troublesome?
Tim
I like that philosophy. I’m the same. I focus on the music first. If the equipment conveys and communicates the performance well, that’s success. I’m not really into ‘better’. My sources are good enough. If I am fussing about the equipment it just distracts me.When the equipment isn’t conveying the performance effectively it’s usually because I am not in the mood, distractions are impinging or the mastering isn’t up to scratch. It’s also about my focus. If I’m open and in the mood and distractions are at a minimum then the whole experience can gel and become something very special.I recognize concert halls like that. But I wouldn't stop going to concerts when I can.
Thinking about the question posed, I think there's no definitive answer. It depends on what "better" means in the context of an individual's goals in pursuing a hobby. And that means it's a good question to provoke discussion.
In my system both solutions sound good enough for me to listen to the music without experiencing any distractions coming from the equipment. My view (of any equipment comparison) is that once the kit is good enough to get out of the way of my enjoyment of the music, comparison becomes moot. I like good kit but I like good music more. I know that "good enough" is not a part of how others enjoy the hobby and that's fair enough. Maybe my philosophy makes me a bad audiophile. I'm OK with that.
In what way David? Could you please give a clear example I could stream to listen to? Im interested.You make is sound like CD offers perfect sound, I’ll be impressed when digital starts to make drums that sound like drums.
Yes. I do think, as you write, that people may need to go through the phase of finding their own limits starting with the "everything audio matters" hypothesis but an open mind. If someone chooses to change from "everything audio matters" to "this is my list of audio things that matter" then it can change the way they enjoy music. If not then fair enough.In the past I fell into the upgrade urge. It’s an addiction that means you’re never satisfied with what you have. I forced myself to stop and reflect, to stay with what I had to have time to appreciate what it did well. This was difficult at first but gradually the urges ebbed away and I did appreciate what I had. Once you’ve done this, the music takes precedence again which can’t be a bad thing. It made me listen more intently and be more selective with the music I listened to.