Ok, (1) I friggin’ love this and (2) I have to say, it doesn’t go very far toward explaining Hawkwind. Or maybe it does. I’m not even sure any more.
I'm afraid you had to be of a certain age (aka late teens/early twenties) during the period say, 1964-1974 (-ish) to really understand the social changes that were happening at that time in the UK, which were reflected in the music.
It could also be argued that the revolution in pop/rock music in the UK started on 22 March 1963, and I would not disagree with that. It lead to the most productive and progressive "decade and an bit" of British pop/rock, which has not since been equalled.
The Secret Agent track is very reminiscent of Hawkwind's Charisma Phase, but that album cover is shocking.To my mind, this is as good as a Charisma-era number:
And this is a brilliant song from 'Live Chronicles' - one of HLL's best moments (even if he plays his bog standard solo that he had throughout his time in the hawks ).
And has Tim Blake on it too...
The live version of the title track originally on "Stonehenge" and then on the Atomhenge release is an absolute barnstormer.
Oh yeah Here and Now also worth listening to as we're on space rock/stoner rock!
Start Hawkwind with the eponymous first album... maybe the most accessible and what's not to like about "Hurry on Sundown"!??
That is unfortunate and indeed some people suffer from paranoia sometimes due to cannabis abuse and sometimes for other reasons. A friend of my wife's suffers from OCD ( I mean the real thing rather than being a bit fussy as alot incorrectly use the term) she has never smoked anything but thinks all manner of bad things may happen for a variety of reasons, eg house burning down if she doesn't disconnect all electrical appliances. There's no rationale to her invasive thoughts.
I think to be totally honest we all can agree that cannabis abuse can make some folks suffer from an irrational paranoia but I still stand by what I stated .
Make the party Last! With Hawkwind!
Then there's the whole drugs/music thing. Would popular music have developed as it did without massive drug intakes? (Obvs not) Were those developments worth the pain and premature deaths of those for whom the drugs proved too much?
Then you just ride the shockwave.