So after a few emails with Martijn Mensink of Dutch & Dutch, I've rolled back the room correction frequency range from 20-600Hz to 20-300Hz, he doesn't recommend going beyond 500Hz (ideally 200-300Hz). To quote Martijn's email 'In short: in the bass we hear the steady-state frequency response, in the transition region and at higher frequencies we hear the speaker and therefore the steady-state response doesn’t correlate strongly with what we hear'
So still using my 'Harmon Studio' target curve i get:
When I heard Knipster's at the Wam Show they were in a very difficult room. He had a room corrected preset and a non corrected one and kindly let us hear both settings back to back a few times. I thought that the corrected preset sounded a bit too constrained and the non-corrected was a bit wayward.
I would expect that somewhere in between would provide an excellent balance. I think our ears/brain expects to hear some of the room, but there are certainly benefits to reducing the most audible anomalies.
I would expect that somewhere in between would provide an excellent balance. I think our ears/brain expects to hear some of the room, but there are certainly benefits to reducing the most audible anomalies.
If you have the time, try the ‘Harmon Studio’ curve I posted a page or two ago. It’s basically flat from 250Hz to 32000Hz. This theoretically yields a ‘domestic’ studio scenario.
If you have the time, try the ‘Harmon Studio’ curve I posted a page or two ago. It’s basically flat from 250Hz to 32000Hz. This theoretically yields a ‘domestic’ studio scenario.
Thanks. I'm ok with my settings. I remember well the time and effort Lee took to get them right, and programmed into the MiniDSP SHD. I have no eq settings being handled by my speakers at all. I've got very used to the sound now.
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