foxwelljsly
Me too, I ate one sour too.
Black Grape: 'Its Great When You're Straight ... Yeah'
The follow-up was all my arse.
Weirdly, the one that came out a few years ago was way better than we had any right to expect.
Black Grape: 'Its Great When You're Straight ... Yeah'
The follow-up was all my arse.
Jasmine - Tropical Breeze
Dalek I - Compass/Kum’pass
Montrose - Montrose
Alexander Skip Spence - Oar
Elecktroids - Elecktroworld
Jonathan Wilson - Gentle Spirit
TLC - CrazySexyCool
Various - Jazz at the Pawnshop
Liz Phair - Exile In Guyville
Mop Mop - Lunar Love
The Dictators - Go Girl Crazy
Geils - Monkey Island
For ‘one-off’ I think I’d go with LC by Durutti Column. Easily his peak IMHO and one of those albums that is so unique anyone attempting to copy it would, rightly, be accused of plagiarism. To my mind that is the defining ‘thing’ that separates true innovation from evolution, the former is simply impossible to copy without ripping off. Obviously at times that doesn’t stop people, e.g. Jimi Hendrix invented a whole genre of copyists who universally failed to rise up to his standard and still fail to this day.
In other genres I’d pick Mingus Black Saint And The Sinner Lady, Coltrane’s Interstellar Space, and Stockhausen’s Hymnen.
The Missing Boy is playing just now while perusing this thread LC is a fantastic LP.LC is a great 'pastoral' album. Almost worth a separate thread - all-time great 'pastoral' albums
I’ve done a bit of research on Discogs and elsewhere are at least two distinctly different 12” mixes, one at about 6:35, and a much longer one at about 10:30 which goes into a long instrumental part after the ‘drum machine & metal bashing’ bit. I’ve just ordered a Japanese copy as that is definitely the long mix. I certainly remember it from clubs back in the day, I’ve just never found one in the wild. The only thing I’m unclear about is whether the 10 minute plus mix is the same as the extended version on the album CD (which is totally different to the original vinyl, as is Dream Within A Dream and some other tracks). ZTT were certainly an interesting label even if I don’t entirely believe their account of the FGTH story which conflicts with what I’ve heard more directly through the grapevine and the evidence of demos, sessions etc. Paul Morley could always spin a good yarn…
PS Here’s the really long mix:
I’m just not sure if it is any different to the long CD mix,
That’s interesting. My Japanese copy turned up, and that claims to be 10:14 according to the obi/insert. Sounds great, I’m just not sure if it is any different to the long CD mix, I’ll have to compare at some stage. It’s certainly got all the bits I remember from hearing it drunk in clubs back in the ‘80s (first bit, drum machine solo/metal-bashing, bit in German, extended instrumental bit).
By the way also have a white label promo 12" of Bejewlled, Duel and Jewel.