You can make a suspended battleship swing with your little finger.
You can make a suspended battleship swing with your little finger.
You will have to make your own arrangements I'm afraid. I'm not currently able to provide battleships, or even a suitable derrick. You also need a windless day or a very large hangar.
I don't need to prove it since it's GCSE Physics. You're the one making the extraordinary claim.
The Audiomods arm did look quite bling with all the holes! I didn't think the sound was all that special but it was ok. Nothing bad.
That tenor subchassis is cheap. Did you try it with a pre cirkus bearing too or only cirkus?
So I assume you set that height then just use VTA adjustments to dial in the SRA?
A reasonable estimate of how far a suspended battleship would move with the push of a finger is in the order of the wavelength of visible light. Given that said battleship will be vibrating in all sorts of unpredictable modes that will cause movements in excess of that I think it's fair to say 'you can't'.Prove you can't ;-)
I don't need to prove it since it's GCSE Physics. You're the one making the extraordinary claim.
There are turntables out there built like battleships, so perhaps this isn't such a surreal thing after all?!!This forum gets very surreal sometimes.
I think an hour of firm and well timed little-finger presses at the pendulum's natural frequency should get the ship moving visibly.
I remember trying to convince my maths teacher that you could stand on a stationary skateboard at the bottom of a half pipe and get up to the rail without touching the ground.
I don't. The energy needed to overcome the friction in any pendulum that could hold a fifty thousand ton ship would be a show stopper. It might work on paper, with your theoretical frictionless hanger, but in the real world it's not happening.
I guess your maths teacher was a bit thick then as any kid knows a human can overcome the friction in skateboard trucks by shifting their weight very easily.
Can you explain the process?
The energy you can put in with each push is of the order of 50N*500nM. or next to nothing. I think this analogy was absurd when first mooted and has descended into futility.I think an hour of firm and well timed little-finger presses at the pendulum's natural frequency should get the ship moving visibly. A stopwatch should help.
LP12 owner Nick my 3rd one over 35 years.
I find it very musical and listenable but no way would I think it's the best deck out there.There's so many great decks that I haven't heard yet and probably won't.
I think with LP12 owners and most other turntable users of other makes their happy with what they use.
I have a Karousel on mine and it's so detailed and smooth almost digitally quiet but sometimes I miss the pre cirkus bearing and that upper bass bloom..not accurate I know but it did have that LP12 magic about it.PRAT in spades !
Nothing bad is a good general description of the sound of Rega arms! One person's bland in another's nothing bad. The problem is that components which are coloured need to be compensated for, which I don't mind at all, but if you have a lot of things which are coloured it can get tricky.
My deck has a Cirkus and I fitted one and a Tenor top-plate to a friend's deck which is pre-Cirkus. It was a big upgrade in my opinion. I'm about to buy a better Stack sub-chassis and I've yet to decide whether to fit the Tenor to the other LP12 or sell it.
If the cart is level that does me, or close enough. Dial in the tracking weight and I'm done.