I’ve just gone through the whole excellent 23 page picture thread linked by Keith and as ever I’m left somewhere between bemused, annoyed and even sickened by the way the hobby I’ve been passionate about since I was a kid now seems little more than vulgar consumption for ‘one percenters’. Just page after page of ‘you really have to be kidding’, ‘why the hell did they think that was a good idea?’, ‘who actually buys this?’, or just staring slack-jawed at the page in disbelief. The only times I stopped and though, ‘hmm, that’s actually really, really nice’ was some, I assume vintage, Luxman kit and a really beautiful Air Tight EL34 power amp on about page 21 that I think has been out in some form or other for well over a decade, some really nice looking tonearms in that room too (I love the look of Air Tight kit, very nearly pushed the button on a preamp on eBay a few years back, but chickened-out as it was outside the UK). A few stunning reel to reels on show across the show too, including a very interesting looking Denon I’d not seen before, but again almost certainly all vintage ones. Some lovely truly ancient Western Electric cinema horns somewhere too, I’d love to hear them one day.
I now make my living out of audio related stuff (this site), so I really don’t want to be too negative about the hand that at least in some respect feeds me, but I honestly don’t spot anything of the real cutting edge innovation and accessibility that captured my mind as a kid and has (within my own increasingly niche market) kept me interested ever since. It all looks like people trying to make existing ideas far more expensive.
Anyway, I can’t recommend that picture set highly enough, it is fascinating as a socio-economic analysis of an industry that to my eyes has gone from the perfect form dictated by function but with real design flair of say a Quad 33, Planar 3, vintage Pioneer receiver or whatever, to deciding everything (I assume including simply enormous gold plated cables) should be more expensive than a house in Wigan and look like a 1/4-size replica of the most tasteless footballer’s Bentley.
What happened? How exactly did we get to here?! I realise it is a self-professed ‘hi-end’ show, so one could argue by design only the true industry excess, but even so!
PS Did anyone actually go? I’d be interested to know what if anything actually sounded good!
I was there Friday through Sunday, and I would tend to agree.
I would add that a lot (but not all) of the really expensive stuff was not significantly better than the 7000€ amp-CDP-speakers in the YBA room or the 10000€ system in the Wharfedale room.
One complete system was duplicated in two different rooms - the speaker firm got it right in their room, the manufacturer of the electronics made a disaster of it... My thanks to a Midlands dealer for pointing me to the speaker room in question.
Some of the stuff I really liked:
- the Air Tight room
- Gradient just next door
- both systems in the Kondo room (one in the "if you need to ask" region and the other using 7000€ Kawero speakers (price provided by the Spanish distributor sitting next to me))
- Thales + YG Acoustics room (one of the YG Acoustics staff most thoughtfully guided me through the alternative route to the show)
- Jern loudspeakers with their own sub this year and Sota Cosmos turntable - brilliant imaging and huge SPLs available from really small speakers
- Living Voice of course - surprisingly different to the Kondo room despite using Kondo amps and cables!
- Aesthetix Mimas integrated and AMG turntable
- the Garrard 301 as manufactured (not restored) by SME
- Rockna's new DAC and new streamer approx 4000€ each according to the big boss (the stupidly expensive horns in the same room were actually very good, but I would buy my daughter a flat for that)
- CAD DAC through Verity Audio speakers (forgotten the amp)
- dCS Bartok in headphone mode
- Chord DAVE, Hugo TT2 and M Scaler - even bouncier than the Bartok
- von Gaylord speakers
- the Funk firm demo with the boss himself
- the bigger Avid speakers sounded promising and Conrad grumping about an ex-dstributor
- Apertura speakers and CH Precision electronics
Very encouraging to meet women in the rooms who were there for their knowledge rather than just to look pretty - Living Voice, Sudden, Soundsmith, CAD, Levin, Bespoke Audio, Verity Audio...
The worst sound of the show for me - the Auralic room - reminded me of the K-pop song Bboom, Bboom but nowhere near as tuneful...
Most annoying demo person - the guy in the Nordost room who kept suggesting that the barely perceptible difference was "awesome" (A complete contrast to the understated way the lady in the Levin room presented the totally audible difference the Levin turntable mat produced).