I often think if you accept the D.O.P position on a Kubrick film, you know you're actually not going to be, but SK will be. He chose the lenses for most shots, probably told the DOP where he wanted lamps too. So it was either infuriating for the DOP, or, he just accepted his decisions/ lighting skills were always overseen by SK, & may have been less work in fact for him. I bet there were more than a few arguments though. Clashing egos.
It was watching SK's cinemaography thst got me into working on cameras as an assistant.